![]() What’s most important at this point is that you know is that we use the letters A to G to give names to notes, and sometimes add sharps (#) or flats (b) to those letters. Of course, there’s a logic behind those note names with '#' and ‘b' in it, but for now it doesn’t matter. Sometimes, notes also have names such as Gb (pronounced ‘G flat’) or A# (pronounced ‘A sharp’). Those names are letters such as C, A, F and G. And if you’re learning theory the right way, there is no difference between music theory and guitar theory! I like to think of it simply as music theory for guitar.Īnd that’s definitely the approach we’ll be taking in this guide. In short, learning music theory and applying it to the fretboard straight away is both easier and more effective. ![]() This shape is forever connected to the major scale in many guitarists' brains. It functions like a visual aid that makes it easier to memorize things like how certain scales or chords are constructed. I've always found the fretboard an excellent 'cheat sheet' that made theory easier to remember. There's a second reason why applying theory to the fretboard straight away is a good idea. If it remains something that you read in a book once and vaguely remember, music theory won't help you! As we saw in the last section, music theory is nothing more than a tool that can help us make better music. And being able to use the theory yourself is crucial. It ensures you truly understand how the theory works in practice, how it actually sounds, and how you can use it yourself. Now, as a guitar player you should always strive to understand how music theory applies to the fretboard. In short: guitar theory is simply music theory applied to the fretboard. ![]() And that you want to understand why the music you love sounds the way it does. Let’s assume that you have those questions.
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